What Was Left of Her
What begins as admiration becomes a slow, careful editing of her body and self, each loss explained as refinement. The most dangerous part is how often it feels like love while it’s happening.
Trimmed For Company
After losing her job writing the dead into something palatable, a woman follows a roadside orchard that offers a different kind of edit, one you can swallow. But the more she consumes, the more the town begins reshaping her life into something easier to tell, and impossible to get back from.
What California Makes
In this California horror story about manufactured intimacy, a woman falls into a connection so smooth it seems to bypass choice entirely. But as the relationship deepens and her own body starts paying the cost, she begins to understand that some forms of care are really just consumption with better manners.
Mirror, Mirror, Nothing There
In this dark California fairy tale, the desert does not save a woman from Los Angeles. It only gives her a cleaner place to watch the city finish its work inside her.
All Towers, No Exit
At a secret Tarot Mass where the lost come to be told who they are, the deck begins returning only one card: the Tower. As the ritual devours itself and the congregation transforms under its weight, a single refusal becomes the only exit left in a room built on surrender.
Lanterns Across The Salt
On a night when Death Valley accepts every regret offered to it, a woman arrives with nothing but silence. By dawn, the salt flats will decide what that silence is worth.
Neon Devotion
In the shimmering half-light of Echo Park, love becomes ritual, ritual becomes myth, and myth begins to eat through reality. When the woman at the center of it all reveals that her idea of healing means keeping everything she touches forever, devotion takes on its true shape: a beautifully painted cage.
One Year, Unclaimed
In a Venice recovery meeting where the surf seems to clap in time with every milestone, one woman waits for a friend who never arrives to claim her year of sobriety. As the chair beside her sinks deeper into the sand and the ocean begins offering its own testimony, she is left holding the only version of the truth that still feels alive.
The Wax Surfers of Malibu
In a wildfire that sings its victims into devotion, Malibu becomes a ritual site where bodies melt into light and memory is reshaped into something eternal. Faced with the chance to dissolve into the fire’s perfect chorus, one witness chooses instead to walk away—knowing she will carry its song for the rest of her life.
Glass Eyes at Century City
Century City gleams like paradise until one woman sees the mouths moving without swallowing, the reflections nodding when the bodies do not, and the mannequins stepping quietly down from their pedestals. Beneath the mall’s flawless surfaces waits a horror of assimilation, where the final luxury is becoming perfectly still.
Santa Monica Eats Its Own
A Ferris wheel at the edge of Santa Monica becomes a machine for chewing through identity, memory, and every life its rider did not live. With each rotation, the city mutates into a more vicious reflection of itself, until the question is no longer how to get off the ride, but whether she was ever separate from it.
The In-N-Out Between Worlds
A woman drifting through the California desert follows a mysterious receipt into a world where In-N-Out counters, drive-in screens, and motel ghosts begin replaying the love she never knew how to stay inside. As memory gives way to possibility, she is offered one last order: keep running, or take what was waiting for her all along.
Waffling in the House of Her
In a stilted chapel at the edge of the desert, a woman finds twenty-nine versions of the same lost love waiting in the pews for her. What unfolds is a surreal reckoning with memory, repetition, and the stories we keep revising when we cannot bear to let them die.
Writing The California Fever Dream
“Outside, the sky began changing colors like it was unsure which version of the sunset to run. A Joshua Tree caught fire, silently. Beautifully. And then reassembled itself in reverse.”
— Static at the edge of 29 Palms
“She could taste the day. Hot pennies. Sunscreen. The faint chemical sweetness of melted plastic… She told herself this was normal. California normal. A climate that didn’t ask permission.”
— What California Makes
“The heat was biblical and immediate. By the time she had crossed the wash and climbed the low rise beyond it, her shirt was sticking to her back and her thoughts had gone strangely bright around the edges.”